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Month: March 2012

SXSW 2012 Redux

I went back to South by Southwest Interactive this year – 3rd year in a row. Every year, I come away with at least one big idea for how I can get a leg up on technology with my books, and I figure out what the trends are.

I have to admit – I was a little disappointed, because I felt like I was hearing the same things I’ve heard for the past 2 years. Writers are still wading slowly into the waters of self-publishing, publishers are still scared and coming up with half-ass ways to adapt, and more and more ebook startups are sprouting up around us. Not to say that it was an empty experience; quite the contrary actually. I just needed to cut through the “heard this already” to get to what I needed to learn, which was this:

  • Self-publishing was a great fit for The Redheaded Stepchild. It was my story, and kind of a pet project. Something like Portrait of Woman In Ink, however, might be worth going after a traditional publisher.
  • Even if traditional publishing is my goal, I need to find a publisher that will let me do my own thing, who won’t turn my book into some crazy bastardization I don’t want to write.
  • I need to be on Pinterest. Almost every young woman I know is on Pinterest, and that’s my audience. And here I thought it was just for people decorating nurseries and planning weddings.
  • I’m doing the right thing by working my own network first with my book, but I need to be a little more pressing about getting my network to write me an honest review.
  • I shouldn’t try to be elitist about my first book. It’s there for me to get my name out. After my KDP Select period is over, I’ll be dropping the price of The Redheaded Stepchild. I can charge a little more for Portrait of Woman In Ink.
  • I need to start promoting Portrait of Woman In Ink now. And because it is a book about women and tattoos, there’s plenty for me to engage readers about. Also, I shouldn’t be afraid to call up the tattoo shops and see if they want to have a copy in their lobbies.
  • I volunteer at a library. There’s no reason I shouldn’t have my book on the shelves there. I already have friends there.
  • I need to encourage my friends who like the book to recommend it to someone else. It’s not icky. I don’t know why I look at it like it’s icky.
  • Yeah, my sales aren’t going to take off immediately. I learned that lesson. I was encouraged by several panels that it’s all a process, and I need to set it on the shelf (or web page) and let it do its thing.
  • I shouldn’t be afraid to talk to the local paper and area bloggers about taking me on as an interviewee.
  • I need to engage with other people who write about tattoos for Portrait of Woman In Ink. I already got a PhD to agree to write a foreword for an unknown author; it’s probably not much harder than that.

That’s my bullet point redux from SXSW. Also here’s some cool shit I discovered:

  • SmallDemons.com: It’s a startup that will show you (in popular books anyway) what references there are. So, for instance, I am reading The Girl With the Dragon Tattoo (just to see what all the hype is about), and it will show me that the book references John Coltrane, Martin Luther, Adolf Hitler, Hopalong Cassidy. Also, Doc Martens and Armani. Pretty cool stuff.
  • Libboo.com: It’s a startup author support community. I haven’t delved into all the ins and outs of it yet, but I met their CEO who had an appealing accent.
  • BookCountry.com: It’s Penguin’s critiquing community for genre authors. Again, haven’t looked at it too closely, but I applaud Penguin for doing something innovative.

Next year, I’ll probably opt for a vacation that involves a Betsey Johnson bikini and a beach. Take advantage of this vacation’s knowledge.

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Six Sentence Sunday 3-25-2012

It’s another Six Sentence Sunday! Today I’m sharing a snippet from one of my short stories from new collection about women and their tattoos – Portrait of Woman in Ink: A Tattoo Storybook. In this story, Hallie is on the verge of starting a new life with her son, and working her way toward the tattoo from her old life removed.

She inched the SUV up to a stop light, a bright green corvette idling in the next lane over.  She suppressed the urge to examine the door panel to determine the easiest point of entry to unlock the car, steal it, and drive into oblivion.  The check engine light in her SUV’s instrument panel flicked on, as it typically did when the engine idled for longer than it liked.  You couldn’t think about those kinds of things when you were a mom.

Ever since Lucas had gotten too heavy to carry into their small, rent-controlled, two-bedroom apartment, Hallie began letting him take her keys and run to the front door of their building.  She didn’t know how he knew at three years old that keys were a symbol of responsibility, but today – like every day – he took the keys she held out for him with an air of deference, like she’d just handed him the cure for cancer.

Don’t forget to check out all the other talented peeps on Six Sentence Sunday!

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What’s in a Review?

I knew the day would come when I got my first bad review for The Redheaded Stepchild. That day happened to come today, which was also my first day back in the office after vacation, and the day that Peyton Manning signed with the Denver Broncos. Blech!

Because I knew this day would come, I’ve done some reading up on how best to deal with negative reviews and how to cope with them. We writers are a sensitive bunch, and it’s hard to not take these kinds of things personally. Luckily for me, my bad review was pretty mild as far as bad reviews go. The guy (or girl, but I’m pretty convinced it was a dude) who wrote the review could have ripped on the writing, on me personally, or on the character’s personal lives, but he/she didn’t. Really, the book just wasn’t the person’s cup of tea.

To be honest, it was actually much less soul-sucking than the “Dear Author, After carefully reviewing your work we find it does not meet our needs at this time. Good luck.” letters I could line a litter box (if I had a cat) with several times over. I know my book’s not going to be for everybody. I’m in good company – all the top selling authors have a few God-awful reviews under their belts. So what am I going to do about it? Not a damn thing. Except listen to Radiohead, eat a whole pint of Blue Bell Orange Dream, look at some pictures of cute baby animals, and move on.

And hey, my bad review sold me two books today. Could be worse right? They say it’s even good to have a few not-so-great reviews. People like balance, and a book with all fantastic reviews is a little misleading. Makes it look like all the author’s friends ganged up and told everyone how much awesome sauce was smeared over the book, not that they’re biased or anything. So, now I can say I don’t know all my Amazon reviewers and they’re not all what you’d consider “mom reviews”. Though my mom didn’t like the book, so that doesn’t apply in my case.

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#SXSW Report: Days 2 and 3

I’ve been going pretty well nonstop so this is the first opportunity I’ve had to sit down and write my summary of the past 2 days of interactivity at SXSW 2012. Hashtags for panel twitter discussions I participated in are in parentheses.

I began Saturday with a panel about copyrights (#sxcopytrolls) which was grossly underattended and somewhat informative about obtaining and protecting copyrights, which was something I knew next to nothing about so I’m glad I went. After that, I was able to pull up a spot on the floor in the hallway for the simulcast of a conversation with Joss Whedon (#sxjosswhedon) since the room was full. Naturally, I was all too happy to pick up on some insights from the master storyteller of Buffy The Vampire Slayer, Angel, Dollhouse, and I could go on and on but I won’t. Plus he’s a very funny ginger, which I respect as a semi-funny ginger. Just a note, he wrote the screenplay for his new film Cabin InThe Woods in 3 days. That’s a hardcore writer for ya.

After that, I headed to The Rise of Analytics: Impacting the Editorial Process (#sxeditdata) which wasn’t as much about the impact of the need for data, keywords, links, etc. on the editorial process as much as I would’ve liked, but more about the data. Then it was off to the Hyatt for some 15-minute talks about books and content, including Books Win the Attention Economy (#sxbooks_win) and Delivering Content Experiences Across Platforms (#sxplatforms) which closed out Saturday for me.

Sunday was a good morning of panels, starting with Publishing Models Transforming the Book (#sxpubmodels), where panelists from the new publishing industries spoke about their models and the panelists from the traditional publishing industry defended theirs. Up to and including this panel, I have to admit that everything that I heard in most of these sessions was all stuff I have heard before, some even at previous Souths By. Luckily for me, I stumbled into a panel that proved to be worth the price of admission: Discoverability and the New World of Book PR, where I got some amazing ideas for how to keep getting The Redheaded Stepchild noticed and how I can start building a campaign for Portrait of Woman in Ink: A Tattoo Storybook. I furiously took about 3 pages’ worth of notes – the advice was just that good. I wish I had time to test out some of the stuff I heard about today, but I have more sessions, beer, and parties to head off to. And I might actually watch a film today since many of the bookish panels are more of the same stuff I have heard before over and over again.

Oh, and last night I got a photo with Steven Moffat – writer for Dr. Who, Sherlock, and Jekyll (again, I could go on, but I won’t). Worth the wait in line for sure. I also watched Rainn Wilson give a talk about his project Soul Pancake. It’s pretty rad. Go check it out.

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#SXSW Day One Report

After a long series of very unfortunate events (which I will probably wrant about on a free Wednesday), I made it downtown for SXSW interactive. I have to admit that I’m not really impressed with the bookish panel lineup this year. There are several storytelling panels, but most of them are marketing focused. I was hoping to learn more about stuff like Amazon algorithms, emerging platforms for books, etc. but there’s not a whole lt of that.

The one panel I did go to, however, was very inspiring and entertaining. It was called “Where Do Science Fiction and Science Fact Meet?” and it talked about big tech companies are working with science fiction authors to predict what to build for the future. I learned about The Tomorrow Project, which is the science fiction anthology they are writing based on “science fact”. They’re giving it away for free here at the SXSW bookstore so I am hoping to snag a copy later. The panelist also wrote a Science Fiction book called “Fake Plastic Love” that I have to enjoy because the title includes a Radiohead reference. Intentional or not, I don’t know. But it’s been awhile since I read a good sci-fi so I am excited about it nontheless. More panels today. I am very sleep deprived. Please excuse lapse in snark…

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5 Reasons I Won’t Buy Your eBook

Maybe it’s just because I’m a big cheap-o, but I am pretty selective about what I will and won’t buy for my Kindle. Granted, I still buy more books now than I ever have, but I got to wondering what the formula was for me moving on to the next book on the digital shelf, and I think I’ve got it figured out…

5. Your product description sucks.

I know as much as anyone how hard it is to talk about your own work and summarize what could very well be a decade’s worth of blood, sweat, and tears into a 2-paragraph blurb that will make me want to buy it, but you’re a frakking writer. Think outside the box or something. If your product description has all the punch of a 200-year-old sea turtle, I’m gonna move on. Oh, and if you describe your work as a Hitchcockian thriller, at least spell Hitchcockian right (yes, I actually saw that one). As a Hitchcock, this offends me greatly.

4. Your book cover sucks.

If your book cover looks like it was created in Microsoft Word, uses Papyrus font, or clip art (yes, I have seen clip art), you probably need my money so that you can hire a real designer, but I’m still not gonna give it to you. Also, if your book cover is a romance that explores no territory beyond rippled chest and heaving bodice or a thriller that doesn’t go beyond crime scene tape and a bloody knife, I’m pretty sure I already know everything I need to know. Pass.

3. Your price sucks.

I don’t care if your ebook price was set by the publisher, if it’s more than about $7, I’m not buyin’ it. If your ebook costs more than your paperback or even worse, your hardcover, then I’m really not buyin’ it. There’s absolutely no reason for an ebook to cost that much. If you’re big enough that your publisher is charging more than $8 for your ebook, I can probably get it at my library.

2. You told me to in your Twitter Auto-DM.

“Thanks for following me! I know you’re just gonna love my sci-fi fantasy adventure novel! Go buy it right this minute!” Um, no. Did it ever cross your mind that maybe I don’t particularly like sci-fi? Or fantasy? Or novels, even? I could be an attractive porn star who wants to be your “friend” for all you know. And guess what… I don’t know you. I don’t know jack about your writing style or if it would be my cup of tea. Why don’t you let me trade some tweets with you and let me decide for myself. If I like your snarky wit, I will buy your shit. But you auto-DM me, I’ll never give you or your work the time of day.

1. Your reviews suck.

Yep. Reviews matter. If I read in your review that your book is filled with point-of-view shifts, verb confusion, and spelling errors, I’m going to run in the other direction. If you manage to pull off a brilliantly interesting product description but 17 out of 20 people say your book is boring, I’m going to be inclined to believe them. On the other hand, I’m not going to be turned off by a couple of honest, but bad reviews. I understand that my book isn’t for everybody, so if a negative reviewers talks about painfully introspective and action-lacked your book is, I might just open up my wallet for you.

Take heed, authors. Oh, and thanks for following me! I just know you’ll love my book…

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