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Kelly I. Hitchcock Posts

My least favorite part of this book process…

Earlier this week I got my design pages from my publisher! Not only is it a wonderful preview of what my book will look like in print (sans cover), it’s also my last chance to make any edits. In meetings with my publisher and other authors in my cohort, I knew it was coming, and I also was told repeatedly of two things I could do to make sure I was catching any last minute typos: 1) print my design pages on brightly colored paper and 2) read the printed pages out loud.

I think even your average author despises the sound of their own voice (good thing David Sedaris is not average… I can’t imagine anyone else reading his audiobooks). Because I have a speech impediment (stuttering), I hate listening to the sound of my own voice more than most, because the sound of my own voice – even when I am by myself in the master bedroom, because it is the only room in the house with interior locks, after draining my Buc-ees mug of coffee with Bailey’s – is sometimes a legit battle.

But since I can fit the amount of things I know about the business side of books into one tiny pinky nail, I trusted their word and printed out my design pages on bright yellow paper… because it was second cheapest. (Salmon was cheapest… but I just can’t bring myself to stare at that much pink while I read out loud.)

And as much as I would like for this blog post to be a refutation of my publisher’s recommendation… goddammit they were right. I’ve probably read this manuscript at least 20 times and have done so with the eagle eye I’ve been told I have on multiple professional occasions. And yet, by reading it on piss yellow paper in my wavering stutter, I’ve already found missing words, transposed words, and an entire section in the wrong verb tense… and this is AFTER the proofreaders did their worst.

So, I’m going to fumble over my words and finish reading this super-yellow manuscript out loud until page 277, because I am magically catching things I should have caught years ago, and because it’s making my book a better book. Even when I can’t pronounce words that begin with R.

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It only takes one rejection…

Writers deal with a lot of rejection. Years, sometimes decades of rejection. And when they discouraged, their fellow rejectees bolster them up with the same refrain: It only takes one yes.

Sadly, the inverse is also true. It only takes one stinging rejection for all the impostor syndrome to creep back in. I’m lucky in that while I’ve had my fair share of manuscript rejections in the past year, I’ve also had a lot of yeses. This year, I’ve had 3 essays published, a poem, a flash fiction piece, and my third novel is crawling along to its June 2022 publication date.

I recently entered a contest for both fiction and poetry for an all-writer voted publication. Everyone who submits also votes on the submissions, the best from each round move on to the next one, and the top 30 submissions make it into the final issue.

I entered round 1 with 3 of my best poems and a short story I haven’t touched in years, thinking that as a serious, multiply-published author, surely I could crack the top 30 with both my submissions.

Well, I didn’t. My short story finished 131 out of 221, and my poems finished 147 out of 239. I didn’t even make it past the first round, and I read some very weak submissions in the first round. I felt immediately dejected. How could I possibly expect to publish and have any level of commercial success with my novel if I couldn’t even have a short story in the top half of a contest? It wasn’t too late to call my publisher and stop the train and go back to the drawing board. It’s not like I deserved that yes!

But that’s the thing about pity parties. They never last long. And I read the nice feedback I got from the writers who read and ranked my submissions in round 1, and all the criticism was totally fair. And prose and poetry are both incredibly subjective, as they should be. In round 1, one writer ranked my poems the best… another, the worst.

Instead of feeling sorry for myself and listening to those negative thoughts about not being good enough, instead I’m going to be happy for the winners because (the ones I read and voted on anyway) their work was really good. I’m going to look forward to reading the final issue with the top 30 stories and poems because I bet it will be amazing. And I’ll keep grinding away at my work and submit something even better next time.

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Another feature in Moms Don’t Have Time to Write

This essay was jostling around in my mind long before Moms Don’t Have Time to Write put out a call for submissions about holiday topics, but I was hesitant to even give voice to the negative feelings I was having. More than anything, I was scared to submit the essay because I was worried how it would be received by my family.

However, as a writer, I’ve found that whenever I find myself writing something that scares me, that’s actually the place where the gold is. The minute I start self-editing is the minute I stop being authentic, which is a disservice for me and my readers. Needless to say, after much hand-wringing I submitted the essay for consideration. This week, they surprised me by publishing it!

Check out my published essay here.

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I’m featured in Moms Don’t Have Time to Write (again!)

I recently went through some unpleasant shit with my lady doctor’s office and it brought up a lot of equally unpleasant and shitty feelings about my long and complicated history with lady doctors over the years, to the point that I felt compelled to sit down and write about it.

And now it’s an essay on Moms Don’t Have Time to Write! Go check out my 3-minute read when you have 3 minutes to spare. Cheers.

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COVER REVEAL for Community Klepto!

How beautiful is this cover?

OMG y’all my cover is here and shit is getting real. Unlike my first two novels, I really didn’t have a concrete picture in mind about what the cover of this book might look like, but the designers over at She Writes Press really nailed it and I can’t stop looking at it.

In other big Community Klepto news, the book hit the data feed for all major and most independent bookseller’s websites this week so you can now find it EVERYWHERE for preorder: BookPeople, Barnes & Noble, Rainy Day Books, (and of course Amazon, too). It is available for preorder now, and I won’t stop you if you do, but it doesn’t come out ’til June so you can slow your roll a bit (unless you just really want to give yourself a nice surprise in June 2022 because you will undoubtedly have forgotten about it by then).

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The Rastaman is out!

I was randomly scrolling through my Tweetdeck when I ran across an open submission call for poems and art about Bob Marley. I don’t often hop on these types of calls unless I have something on theme already in the hopper, but this immediately brought to mind my time at home on maternity leave with my twins, when I would play Bob Marley when I was at the end of my rope with two crying babies.

I wrote the poem one night, edited it the next, and sent it out before the submission deadline the day after that, and it was almost immediately accepted! I’ve been so busy this summer that I admit I completely missed the publication announcement, but the anthology is out now, and my poem Alexa, Play Bob Marley is the last poem in the book. Check it out and support an independent press in the process.

Get yourself a copy on Amazon.

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I got featured again!

I had a lot of complicated thoughts of fever-induced mom guilt after COVID hit our house, and threw some of them into an essay that I put together hoping to get picked up by Working Mother magazine or something.

I never heard from them, but it was accepted by Moms Don’t Have Time to Write and the post is now live on Medium! This is my second essay to be accepted by them, so I hope that this means I could end up becoming a regular contributor as the one-year countdown to Community Klepto’s release begins.

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I’m featured in Moms Don’t Have Time to Write

I recently had an essay get accepted to Moms Don’t Have Time to Write, a new website brainchild of award-winning book podcaster Zibby Owens. A fellow author clued me into their call for submissions, and though I was nervous about submitting since I have never written anything expressly through the lens of being a mom before, I was pleased when they accepted my submission the very next today.

It was published today, and I hope you enjoy it! My Less-Than-Triumphant Return to the Barre

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The paradox of perfect pandemic parenting

Is today the day that I infect everyone in my life because I dared to leave my own house,
Or is today the day that I lose my job because my children interrupted me every 5 minutes?

Maybe you shouldn’t have had kids if you weren’t prepared to take care of them 24/7,
But you also definitely shouldn’t have kids if you can’t provide for them financially.

Of course our first solution to this crisis shouldn’t be for all female parents to just stop working,
But we can’t really expect both parents to exit the workforce for 18 years, now can we?

You’re selfish if you don’t put the health, safety, and needs of your children first,
But you’re also selfish if you expect your work colleagues to pick up your slack.

If you go get your hair done, then everyone around you will die,
But you’re on camera a lot more these days, so you should really fix your hair.

Restaurants aren’t safe right now – even if you’re out on a patio, even if you’re getting takeout,
But if you don’t support your local restaurants then only Applebee’s will survive.

No one should set foot inside a school building until everyone has had a vaccine,
But the first vaccines to reach the market were rushed through trials and can’t be trusted.

A learning pod with people you trust is a great way educate your kids and get social interaction,
But these pods are also tools of the elite that only serve to deepen inequality.

Wearing a face mask isn’t political and everyone should just do the right thing for the public’s health,
But it’s critical that you vote for someone who’ll mandate masks, or everyone will die.

If you need one hour of quiet just to get through an important meeting, Moana’s got your back,
But just remember that the only kids who really thrive are those who never have screen time.

You and your kids can’t wait for all of this to be over so things can get back to normal,
But normal was over-scheduled weekends and letting someone else raise them during the week.

Fully vaccinated adults can gather together safely without masking,
But your children can’t get vaccinated yet so you better keep them away from unsuspecting adults.

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Let the publizity begin!

With my first two books, marketing and publicity was hands-down the thing I hated doing the most and also was the worst at. On the other hand, I had a lot more time to devote to things like querying book bloggers and doing guest interviews back then, too. This time around I was not only resolved to let a professional handle all that stuff I suck at for me, I also had a nice list of referrals for good publicists from my publisher.

I queried four of them and had phone meetings with two of them. I would have had three meetings, but they all fell during the week of the freak winter storm we had down here in Austin. I dismissed one of them almost immediately because they put off a very “Publizity” from Kroll Show vibe. What stuck out to me, and ultimately solidified my decision to go with the publicist I did, was that only one of the companies asked to see my manuscript. I know a lot of busy marketing people don’t have time to read everything that comes across their desk, but how do you know if you’re the right person to market the book if you don’t know the book? How do you know who you’re going to sell it to?

After reading horror stories of authors hiring multiple publicists to do multiple things, I was really resolved to only do this once and find someone who really wanted to work with me and wanted to represent my work. And I didn’t want a Liz. So when I talked to potential publicists to represent me, these were the 3 most important questions I asked, and made my decision easier (taken from the larger list from BookBub):

  1. What kind of experience do you have marketing books like mine? This not only leaves room to answer the obvious question, but also lets you know how much effort they put into learning about your book before talking to you.
  2. What kind of promotions would you envision running for my book? This gives you an opportunity to make sure you’re not going to get cookie-cutter promos that don’t fit your book well.
  3. What media contacts do you have that would be interested in my book? One, you get to know what kind of media contacts they have and how many, and two, you can get a good feel of how comfortable they feel about promoting your book where it fits.

Of course the hope is that by June of 2022 I can have a real in-person book launch and sign books face to face after poorly reading from my own novel. But more than anything I am happy that I have someone to handle all the promotional logistics of it for me! Looking forward to a long relationship with Caitlin Hamilton Marketing.

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